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The Displays group
To add a display, either click on the Add Display button, or select Add Display in the contextual pop-up menu that appears when right-clicking almost everywhere in the Displays section. Each added display have its own panel. The pop-up menu also offers options to expand or collapse all display panels at once. To remove a display, click on its Remove Display button, which appears as a trashcan. To duplicate a display, right-click anywhere above the display to duplicate and select Duplicate Display menu option.
At the top of the Displays section are a few general controls, followed by a list of per-display panels. The general controls are:
Add Display
Clicking this button will add a new display attribute group at the bottom of the displays panel.
Render Primary Display
Controls if the primary display is going to be rendered. The primary display is always the display at the top of the displays panel and this control is tied to the first display’s Render toggle. It can be useful to turn this option off when you need only need to render a secondary display or shadow maps. By default, this toggle is on.
Render Secondary Displays
Specifies if the other displays than the first one are rendered. This toggle will override the per-display Render toggle. This control is on by default.
Each display has its own panel showing the basic display parameters on two rows. The remaining display attributes are located in the Advanced section.
Group for a specific display
A display panel’s first row offers the following attributes:
A Render toggle
The check box on the left side of the image filename controls if the display will be rendered or not. Since the first display in the panel is considered the primary display, its Render toggle is tied to the Render Primary toggle. For other displays, their Render toggle is acknowledged only when Render Secondary is turned on.
An Image Filename
This control specifies the file name of the rendered image. When using a framebuffer display driver, this specifies a window title. By default, a file name based on the scene name and render pass name is created. See Section 5.5.4 [File Path Expressions],page 124 for details on how it is possible to construct relative paths and / or paths containing dynamically expanded tokens.
A Browse for Image File button
This button, drawn as a folder, brings up a file browser to specify an image filename.
A View Image button
This button, drawn as a magnifying glass, will open the display’s image file in a viewing application. See Section 3.17 [The Preferences Window], page 93 for details on how to specify which application should be launched.
The second row offers the following attributes:
A Remove Display button
This button, drawn as a trashcan, removes the display from the render pass.
DeviceAnchor device device
This options specified the type of the display driver, which is where your rendered image will go. The following display drivers are available:
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AOV
Indicates what variable will be output during this render. The most common values are ‘rgba’ or ‘rgb’ for RGBA and RGB outputs respectively, which are usually referred as "beauty passes". You can specify here any predefined output variable or arbitrary output variables that your shaders are using. Inline declarations of arbitrary output variables are allowed, meaning that it is permitted to preceded a variable name with its type to declare it and specify it for the display mode all at once. Clicking on the arrow button next to the AOV text field brings up a popup menu that lists available predefined output variables.
The available variables that are relevant regardless of the shaders assigned of to scene elements are:
| AOV | Description |
|---|---|
| user specified | This item is selected when a custom variable name is typed in the text field. |
| z [depth] | For a given pixel, this variable outputs the distance between the camera and the object visible at this pixel. Bit depth should be set to 32 bits. |
| rgb [color] | This variable outputs the color information of the rendered image. |
| ‘a [alpha channel]’ | This variable outputs the transparency information of the rendered image. |
‘Oi [3-channel alpha]’ | This variable outputs the R, G and B transparency information of the rendered image. |
‘rgba [color + alpha]’ | This variable outputs the color and transparency information of the rendered image. This is also called a beauty render pass. This is the default. |
The following AOVs are defined for scene elements shaded using Maya’s Hypershade. The available AOVs are:
‘ambient’
‘diffuse’
‘specular’
This variable outputs the ambient shading component of the rendered image, producing an ambient render pass RGB image.
This variable outputs the diffuse shading component of the rendered im- age, producing a RGB image similar to a Maya Render Layer configured to output a diffuse render pass.
This variable outputs the specular shading component of the rendered image, producing a RGB image similar to a Maya Render Layer configured to output a specular render pass.
‘reflection’
This variable outputs the reflection shading component of the rendered image, producing a reflection render pass RGB image.
‘refraction’
This variable outputs the refraction shading component of the rendered image, producing a refraction render pass RGB image.
‘shadow’
This variable outputs the shadow intensity in the alpa component of a RGBA image, in a similar fashion to a Maya Render Layer configured to output a shadow render pass. Note that in addition to objects being shaded with Maya’s Hypershade, the light sources must also be shaded with Maya’s Hypershade for this output variable to work properly (put differently, the light must not have a RenderMan shader attached to it).
‘incandescence’
This variable outputs the incandescence shading component of the ren- dered image, producing a incandescence render pass RGB image.
‘translucence’
This variable outputs the translucence shading component of the rendered image, producing a translucence render pass RGB image.
‘diffuse no shadow’
This variable outputs the diffuse color shading component of the rendered image, unattenuated by any shadows. The result is identical to what is produced by the ‘diffuse’ AOV when light sources do not cast any shadows.
‘diffuse intensity’
This variable outputs a grayscale image representing the intensity of the diffuse shading component.
‘diffuse intensity no shadow’
This variable outputs a grayscale image representing the intensity of the diffuse shading component without any attenuation made by shadows. If there are no shadow-casting light sources, the result is identical to the ‘diffuse intensity’ AOV.
‘key lights diffuse intensity’
The output of this AOV is similar to the ‘diffuse intensity’ AOV, but will only take into account light sources that have a ‘key light’ attribute set to true. Refer to the [key light attribute], page 41.
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‘key lights diffuse intensity no shadow’
This AOV output is similar to the ‘diffuse intensity no shadow’ AOV, but will only take into account light sources that have a ‘key light’ attribute set to true. Any shadows cast by these key lights will be ignored. If the key lights do not cast any shadows, the result will be identical to what is produced by ‘key lights diffuse intensity’ AOV. Refer to the [key light attribute], page 41.
‘luminance depth’
This variable produces an grayscale image based on the distance between the camera and the objects; objects closest to the camera’s near clipping plane will appear white while objects closest to the camera’s far clipping plane will appear black. It is recommended to adjust the camera’s clipping plane values to be as close to the object to be rendered as possible.
‘specular no shadow’
This variable will produce am image of the specular color shading com- ponent without taking any shadowing into account. If there are no lights casting shadows, the output will be identical to the ‘specular’ AOV.
‘specular intensity’
The output of this AOV is a grayscale image of the intensity of the specular shading component.
‘specular intensity no shadow’
This variable outputs a grayscale image of the intensity of the specular shading component, without taking into account any shadows. If there are no lights that cast shadows, the output will be identical to what is produced by the ‘specular intensity’ AOV.
‘key lights specular intensity’
This AOV produces a grayscale image of the intensity of the specular shading component, taking into account only light sources that have a ‘key light’ attribute set to true. Refer to the [key light attribute], page 41.
‘key lights specular intensity no shadow’
This variable outputs a grayscale image of the intensity of the specular shading component, taking into account only the light source that have a ‘key light’ attribute set to true. Any shadows cast by these key lights will be ignored. If the key lights do not cast any shadows, the image produced will be identical to the one output by the ‘key lights specular intensity’ AOV. Refer to the [key light attribute], page 41.
‘color no shadow’
This AOV will produce an image similar to the ‘color’ AOV, but any shadows are ignored.
‘raytraced reflection’
This variable outputs what appears in reflections due to raytraced rays that hit surrounding objects.
‘environment reflection’
This variable outputs what appears in reflections when raytraced rays hit nothing (i.e. what is controlled by the "reflected color" attribute of the shader). This variable also contains the environment reflections produced by the ‘Fast Image Based Lighting’ and ‘Full Global Illumination’ effects of the render pass. See [Global Illumination Effect], page 64.
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‘Bit Depth’
‘surface color’
This variable outputs the base surface color without taking any illumi- nation, incandescence, reflection or refraction components into account.
‘occlusion’
This variable outputs ambient occlusion computed by either the ‘Occlusion’ or the ‘Full Global Illumination’ effects of the
render pass (see [Global Illumination Effect], page 64). ‘mia_amb_occlusion’ shading node also puts its results in this variable.
The
‘facing ratio’
This variable outputs the facing ratio, similar to what is computed for the ‘samplerInfo’ node’s ‘facingRatio’ output plug.
‘global illumination’
This variable contains the mixed colors of the various diffuse effects computed by the "Global Illumination" render pass attributes. See Section 3.9.3.8 [Render Pass Global Illumination], page 64.
‘indirect diffuse’
This variable contains the color bleeding component computed by the ‘Full Global Illumination’ effect of the render pass. See [Global Illu- mination Effect], page 64.
‘environment diffuse’
This variable contains the environment diffuse effect computed by either the ‘Fast Image Based Lighting’ or the ‘Full Global Illumination’ ef- fects of the render pass (see [Global Illumination Effect], page 64).
‘environment specular’
This variable contains the environment specular effects (reflections and refractions) computed by either the ‘Fast Image Based Lighting’ or the ‘Full Global Illumination’ effects of the render pass (see [Global Illu- mination Effect], page 64).
| Warning |
|---|
Note that any AOV whose name contains "no shadow" involves extra shading computation and will make the scene longer to render. |
This option menu specifies how many bits to use per color component. The available values are:
AOVs are explained in the Display AOVs section.
Bit Depth
This option menu specifies how many bits to use per color component.
| Warning |
|---|
| Some display drivers have specific requirements as to what bit depths are supported. Refer to Display Device. |
The available bit depth values are:
| Option | Description |
|---|---|
| 8 bit integer |
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| The image will use 8 bits integer values for each component, with values defined between 0 (black) and 255 (white). This corresponds to a quan- tization of 0, 255, 0, 255 for zero, one, min and max, respectively, and a dither value of 0.5. This is the default value. |
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| 16 bit integer |
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| The image will use 16 bits integer values for each component, with values defined between 0 (black) and 65535 (white). This corresponds to a quan- tization of 0, 65535, 0, 65535 for zero, one, min and max, respectively, and a dither value of 0.5. |
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| 16 bit float |
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| The image will use 16 bits float values for each color component. Cur- rently, |
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‘camera space normal’
This variable outputs the normal of the object in camera space.
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| only the ‘exr’ display driver supports this format. This corresponds to a quantization of 0, 0, 0, 0, and a dither value of 0 (identical to |
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| ‘32 bit |
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| float’); the display driver receives a pixel type specification through an option. |
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| 32 bit float |
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| The image will use 32 bits float values for each color component. This corresponds to a quantization of 0, 0, 0, 0, and a dither value of 0. |
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| Custom... |
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All images are rendered internally in 32-bits float format. |
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Quantization is the process of assigning integer values to these floating-point values. Some usual preset values are available in |
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the "Bit Depth" |
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attribute. If they do not include the needed variation, it is possible to specify custom quantization values by selecting this menu entry. Upon selection, a dialog pops up |
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, displaying the current bit depth settings:
The Custom Bit Depth Dialog It allows specification of values |
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for zero, |
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one, |
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min, |
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max and dither amplitude. |
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zero is the black point, |
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while one is the white point. These two values can be different from |
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the min and max values if you need to have under-exposed or over-exposed values. An example set of values for 12 bits output with standard dithering would be: 0, 4095, 0, 4095, 0.5 An example set of values for 16 bits output with a white point at 4K that prevents over-exposed pixels from being clamped to the white value, would be: 0, 4095, 0, 65535, 0.5 |
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| Other Custom entries |
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| The option menu will also list all custom bit depths defined for all of the current render pass’ displays. |
Some display drivers have specific requirements as to what bit depths are supported. Refer to [Display Driver], page 54.
Advanced Options
A specific display's Advanced group
The Advanced group, which is collapsed by default, offers the following attributes:
Alternate Camera
This attribute can be used to specify a different camera than the Render Camera (specified in the Scene Elements group) to be used for this display. This allows simultaneous multi-camera angle or stereoscopic rendering. For best performance, it is recommended to keep as many displays as possible set to <render camera>. For instance, when working with a stereoscopic project that has a "left eye" camera and a "right eye" camera, it is preferable to set the Scene Elements' Render Camera to the "left eye" camera, and alter the value of the display's Alternate Camera only for the ones needed the "right eye" camera (instead of having all displays overriding the render camera with either the "left eye" or the "right eye" camera). By default, the display will use the Render Camera.
Display Subset
This attribute is used to select one or several Maya sets that is used to narrow down what objects will appear in the display. Set selection is made using the 3Delight Set Selector window which is invoked by clicking on the Sets... button. The "Display Subset" option menu specify how the selected sets will be interpreted and has the following values available:
| Option | Description |
|---|---|
| All Objects | All visible objects will appear in the display, disregarding any sets selec- tion made in the 3Delight Set Selector. This is the default. |
| Objects in selected sets | Only visible objects in the selected Maya sets will appear in the display. |
| Objects not in selected sets | Only visible objects that are not in the selected Maya sets will appear in the display. Put differently, all objects in the selected sets will be excluded from the display. |
Light Category
This attribute specifies a light category (see Category); only the lights of this category will appear in the display. This option requires setting the Render Engine attribute to Path Tracer (see Render Engine).
Gain
Specifies the gain. Each rendered pixel’s color will be multiplied by this value. ‘Gamma’ Specifies the gamma. Each rendered pixel’s color, once affected by "Gain", goes through a power function whose exponent is 1 / "Gamma".
Override Pixel Filter
Each display can have its own filter and filter width values. This toggle is off by default, in which case the display will use the values specified in the Quality section of the render pass. When this toggle is on, these values are overridden with the values specified in the following two attributes: ‘Pixel Filter’ ‘Filter Width’ These two attributes are identical to the "Pixel Filter" and "Pixel Filter Width" in Rendering Quality (Rendering Attributes).
Use Matte Attribute
When this toggle is off, and if the display’s output variable is set to an arbitrary output variable, any matte attribute set on objects will be ignored. This toggle is on by default. Refer to the matte attribute here Visibility.
Exclusive Output
When this toggle is off, and if the display’s output variable is set to an arbitrary output variable, objects that do not output that variable will be black. Turning this option on will make these objects transparent. This toggle is off by default.
Associate Alpha
When this toggle is off, the color of a pixel is divided by the alpha to produce an image with an unassociated alpha channel. By default, this toggle is on.
Compute Alpha
When this attribute is on and the display’s "Output Variable" is an AOV, an alpha channel is added to the AOV. It is computed based on the existence of the output variable for a given object. This toggle is off by default. Usually, when this toggle is on, it is recommended to turn off Associate Alpha.
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